cv
| AWARDS/GRANTS | ||
|---|---|---|
| 2023 | Diversestipend | Oslo kommune |
| 2022 | Etableringsstipend | Oslo kommune |
| 2021 | Project support | Fond for lyd og bilde |
| 2021 | Kunstnerstipend | Oslo kommune |
| 2021 | Fordypningsstipend | Norsk jazzforum |
| 2021 | TONO Stipend | TONO |
| 2020 | Publiseringsstøtte for musikkinnspillinger | Norsk kulturfond |
| 2020 | Concept to Realization Grant | Canada Council for the Arts |
| 2019 | Bestillingssverkstøtte | Det norske komponistfond |
| 2018 | Concept to Realization Grant | Canada Council for the Arts |
| 2014 | Don Wright Scholarship | University of Toronto |
| 2013 | First Prize | Galaxie Rising Stars Program |
| RESIDENCIES | ||
|---|---|---|
| 2023 | ICST Tempo Polyphony Artist-In-Residence | Zürich, Switzerland |
| 2022 | Visby International Centre for Composers | Visby, Sweden |
| 2020 | Leveld Kunstnartun | Ål i Hallingdal, Norway |
| 2019 | Untitled Space July Artist-In-Residence | Shanghai, China |
| 2018 | Westben Performer-Composer Residency | Campbellford, Canada |
| 2017 | Performing Arts Forum | St. Erme, France |
| WORKSHOPS/CONFERENCES | ||
|---|---|---|
| 2023 | Keynote: FLOSS every day | MINU_festival for expanded music |
| 2022 | Embodied Perspectives on Musical AI | University of Oslo |
| 2022 | Fluid Corpus Manipulation Workshop | Notam, Oslo |
| 2019 | BEAST FEaST | University of Birmingham |
| 2018 | November Space | The Royal College of Music, Stockholm |
| 2018 | Nord+Mix Spatial Sound Workshop | Lithuanian Academy of Music and Theatre |
| 2017/18 | RENEW: Reflective Entrepreneurship Music Education Worldclass | The Association Européenne des Conservatoires, Académies de Musique et Musikhochschulen |
| 2017 | International Summer Workshop | Siena Jazz |
| 2017 | Jazz Composition Workshop | Copenhagen Rhythmic Music Conservatory |
| 2014 | International Workshop in Jazz and Creative Music | Banff Center for the Arts |
| 2013 | TD Jazz Youth Summit | TD Ottawa Jazz Festival |
| 2012 | Jazzworks Creative Workshop | Edmonton International Jazz Festival |
| TEACHING | ||
|---|---|---|
| 2021 | Guest Lecture | Online, hosted by University of Stavanger |
| 2021 | SuperCollider Lecture | Online, hosted by Temple University |
| 2020 | SuperCollider Lecture | Online, hosted by the Canadian League of Composers |
| 2019/20 | The Future of Music Technology | Tbilisi State Conservatoire, Georgia |
| 2019 | Improvisation & SuperCollider | Tbilisi State Conservatoire, Georgia |
| 2018 | SuperCollider | Performer-Composer Residency, Canada |
| 2018 | Improvisation & SuperCollider | Institute for Music and Media, Germany |
| EDUCATION | ||
|---|---|---|
| 2024 | Continuing studies in Contemporary Music | The Norwegian Academy of Music |
| 2019 | Master of Performing Music Technology | The Norwegian Academy of Music |
| 2017 | Master of Music Performance | The Norwegian Academy of Music |
| 2015 | Bachelor of Music in Performance | University of Toronto |
| 2009 | Diploma in Jazz and Popular Music Performance | Grant MacEwan University |
| RELEASES | ||
|---|---|---|
| 2024 | Noe gøy på M | OJKOS / Magnus Murphy Joelson |
| 2023 | Graosido | OJKOS / Knut Kvifte Nesheim |
| 2022 | Let them eat the rich | ternOP |
| 2022 | Mensa Rotunda | OJKOS / Andreas Rotevatn |
| 2022 | Materialism | YAWN |
| 2021 | MINIATYRLAND | OJKOS / Johannes Solvang & Camilla Hole |
| 2021 | Poems for Flute | Henriette Eilertsen |
| 2021 | Live in 2010 With Mike McCormick | Solotet |
| 2020 | alea iacta est | OJKOS / Andreas Rotevatn |
| 2020 | nethuns: music for 14-piece ensemble | OJKOS / Michaela Antalová |
| 2020 | Proxemic Studies: Volume I | Mike McCormick |
| 2018 | The Proxemics EP | Mike McCormick |
| 2018 | First Frost | BRINICLE |
| SELECTED WORKS | ||
|---|---|---|
| large ensemble | ||
| 2022 | control_structures 55’ | jazz orchestra |
| 2021 | work song 5’ | jazz orchestra |
| 2020 | morning, in a sense 5’30” | jazz orchestra |
| 2019 | The Northwest Passage 55’ | jazz orchestra |
| 2018 | smelt ore 5’30” | jazz orchestra |
| chamber music | ||
| 2023 | with a droc instead of a borbin 22’ | polytempic jazz quintet |
| 2023 | under: went 40’ | soprano and electronics |
| 2022 | 5 short tempoems 5’20” | percussion trio |
| 2019 | wintermezzo 7’ | flute, cello, piano, and two assistants |
| 2017/19 | panjandrum 15’ | six percussionists w/ assistant |
| 2018 | FATES | two voices and electronics |
| 2017 | abraham’s son | mixed septet |
| 2017 | big smoke | mixed septet |
| 2017 | gutrot | mixed septet |
| 2016 | alloys|allies | brass quintet |
| 2016 | Flesh & Blood: Anaïs Nin’s “Father Story” | solo performer w/ assistant |
| 2016 | MOO)))N | choir, electric guitar and drum kit |
| 2016 | our gems (morgues) | viola, french horn, and vibraphone |
| 2016 | presque les bois | piano, trumpet, electric guitar and percussion |
| proxemic studies | ||
| 2018 | in|takt | voice, trumpet, electric guitar, drum kit |
| 2018 | kon|takt | voice, trumpet, electric guitar, drum kit |
| 2018 | madness | voice, trumpet, electric guitar, drum kit |
| 2018 | moment: us | voice, trumpet, electric guitar, vibraphone |
| 2018 | triptych: I | voice, trumpet, electric guitar, drum kit |
| 2018 | triptych: II | voice, trumpet, electric guitar, drum kit |
| 2018 | triptych: III | voice, trumpet, electric guitar, drum kit |
| 2017 | delicate matters | voice, trumpet, electric guitar, drum kit |
| 2017 | isaac | voice, trumpet, electric guitar, drum kit |
| 2016 | alvorada | voice, trumpet, electric guitar, drum kit |
| 2016 | moving on | voice, trumpet, electric guitar, drum kit |
| 2016 | over mountains (clouds) | voice, trumpet, electric guitar, vibraphone |
| 2016 | woodyard | voice, trumpet, electric guitar, drum kit |
| multimedia | ||
| 2023 | Coastline Paradox | light installation |
| 2022 | Visit [Under Revision] 10’51” | video installation |
| 2020 | SC Journal #2 17’15” | audiovisual performance |
| 2019 | SC Journal #1 13’57” | audiovisual performance |
| electroacoustic | ||
| 2021 | Not quite a roopat, but rather glostibular 8’06” | 7th-Order Ambisonics |
| 2019 | EIDOLON | interactive improvisation algorithm |
| 2019 | Zhujiajiao study 7’35” | stereo acousmatic |
| 2018 | pyramidg | generative composition |
| 2018 | with|in | performative installation |
| 2016 | mind’s ear | generative installation |
| sound design | ||
| 2021 | In-betweenness 30’ | dance performance by Lisa Colette Bysheim |
| 2021 | IF ONLY 45’ | dance performance by Lisa Colette Bysheim |
| ADMINISTRATIVE WORK | ||
|---|---|---|
| 2024- | Working group | Verdensrommet |
| 2023-24 | SuperCollider Meetup host | Notam |
| 2020-24 | Co-chair/treasurer | nyMusikks komponistgruppe |
| 2019-21 | Booking Manager | OJKOS |
| 2019-20 | Co-Producer | Making Waves: Laying the Groundwork for The Future of Music Technology |
| MEMBERSHIPS | ||
|---|---|---|
| 2019- | Norsk Komponistforening | |
| 2019- | nyMusikks komponistgruppe | |
| 2018- | Norsk jazzforum | |
| 2018- | Creo – forbundet for kunst og kultur |